Art Vs Commerce: Musicals, Bible Stories, and Bad Choices (1950s)

Into decade three of our deep-dive into Oscar history! And where are we spending most of the 50s, Patton Oswalt?

Big name producers started spending a lot of time on Bible stories. A lot.

A lot.

Biblical epics are all over this decade, and when they won the box office, it often wasn’t by a narrow margin. Audiences seemed to love these things so much they’d flock to one even if it wasn’t, you know… good. At all. And they tended to be so long. On the other hand, they’re the first movies I’ve seen in this project to say “You know, slavery is pretty bad,” even if they’re so laser focussed on Roman or Egyptian slavery that even I can’t tell if American audiences were supposed to think “Hey, maybe we shouldn’t have done that either.”

I’m gonna warn you right up front. Audiences in the 1950s made some dumb, dumb choices at the box office. There were a lot of classic, iconic films being made in the 50s, but they kept getting passed over for trash. Hot trash, to be fair, but trash all the same. We start to see some proper musicals much more often this decade, so I may slip in some musical flair here and there, but successful or not, they ain’t all great.

Between the runtimes and the constant reminders that Jesus Was Pretty Good Actually, if any decade of this project were gonna break me… this would be it.

Meanwhile, the Academy drifted into… very bland waters. There’s weird variety in subject and tone, leading to serious tonal whiplash if you watch them all in a row, but still often bland. Yes, we often accuse the Oscars of picking movies that speak to their oddly specific preferences rather than movies of lasting influence or impact, but this decade… honestly I’m not sure what possibly could have drawn Oscar buzz to a lot of these. Sure there are three or four bangers from film history, but some of these winners…

I have a friend, or possibly a nemesis, depends on mood, who would pretend that he was finally going to watch the first season of Pennyworth, and then out of, I can only assume purest spite, instead watch the dumbest trash reality show available and text our group chat all about it*. (Flirty Dancing? Really? Come on, you are only hurting yourself, man.) In this case it’s like sometimes the Oscars said “We are not giving one of your Jesus epics a Best Picture Oscar, we will give it to literally anything else.” Why were they so set against big religious pics? Well, my main theory is they’re not very good, but most of them still managed Best Picture nominations, including the two worst/most aggressively Christian so… I don’t… I’m definitely not out to say “Jews control the film industry ” but–

Next Page: Hey there Delilah

(*In fairness we now get antsy waiting for him to share his terrible, terrible guesses about The Masked Singer.)

Leave a Reply

Your email address will not be published. Required fields are marked *