Breaking Down the DCEU News

DC film news, from great to… odd.

So when you devour geek entertainment news the way I do (ie. not dissimilar to Augustus Gloop set loose in the Wonka Factory), San Diego Comic-Con is like being at a lavish Vegas buffet. There’s almost too much, and I want up on most of it, so I guess I’m going to be bloated and uncomfortable later.

That’s the worst metaphor I’ve ever opened with but it is not inaccurate.

So I can’t possibly cover everything that was announced about everything I love that week, be it Arrow (Slade’s back! Yay!), Flash (Tom Felton isn’t back. Boo.), Westworld (Already filming, I guess?), or what have you. But DC made some announcements on the Warner Bros. panel, in addition to releasing a decent and more colourful new trailer for Justice League…

…that admittedly is still hiding how and when Superman shows up… they’ve also begun to clear up a point of contention with the franchise’s future.

Back in 2014, Warner Bros. made as low-key an announcement about their planned slate of DC films as it was possible to make, addressing shareholders rather than Comic-Con attendees. It laid out about nine films over the course of five years, including two Justice Leagues and a far-off Green Lantern reboot. But then 2016 happened. After the negative critical reception and mixed fan reactions to Batman V. Superman and Suicide Squad, everything seemed to be in doubt. New potential projects were being announced as in development left and right, whereas their previously announced films, looked shaky, with Flash in particular going into a tailspin of quitting directors and rewrites. So the question became, what exactly is going on over there?

Well, at Comic-Con, they announced… not a firm slate, but certainly their next wave. Their primary to-do list after Aquaman, the only post-League movie they’ve managed to get camera ready thus far. So let’s take a look at what they announced: what we know; what, based on the comics we might expect; and if I resist the urge to believe that everything’s going to be Wonder Woman-good from here (I’d love that but have no hard reason to assume it), how excited should we be?

We’ll skip over Justice League and Aquaman and go right to 2019.

Shazam!

Even before the big panel, news hit that the next DC film to go into active production will be Shazam, which… interesting. That’s interesting in a couple of ways. First, it’s an open declaration that they haven’t completely abandoned their original plan, since Shazam is still aiming for a spring 2019 release. That said, there is a lingering question mark.

Prior to Wonder Woman, the big “stay excited for DC movies” banner was the eventual arrival of proven franchise-saver Dwayne “The Rock” Johnson as Shazam’s classic nemesis, Black Adam. But the story began shifting… instead of Black Adam being the villain in the Shazam movie, he’d instead be introduced in a solo film, which given how interesting an anti-hero Black Adam has become in the last two decades, honestly seems like a better idea than doing both origins at once. This, naturally, led to some questions about whether Shazam was still on the table.

Well, now Shazam has a rough filming date, a release date, and a director, while all Black Adam has is Dwayne Johnson’s determination to make the movie once his busy schedule opens up. You know, assuming that 2020 presidential bid doesn’t happen.

What do we know?

Shazam has a director, David F. Sandberg. Not a big name, but a promising up-and comer. It starts filming in January/February of 2018, with a projected release date of April 5th, 2019.

With all of that in mind, you’d think we’d know more. Casting rumours about which Stranger Things kid is playing Billy or what Channing Tatum-type is playing his adult self or something. But all we know on that front is that Black Adam won’t be appearing.

What can we expect?

Shazam is about as far as it’s possible to get from the dark, brooding atmosphere that has clung to DC films from Batman Begins all the way to Suicide Squad. It’s the ultimate in wish fulfillment.

Classic origin story: ten-year-old Billy Batson encounters the wizard Shazam, who makes Billy his champion. By saying the wizard’s name, Batson gains the wisdom of Solomon, strength of Hercules, stamina of Atlas, power of Zeus (that one’s kinda vague), invulnerability of Achilles, and the speed of Mercury. In short, he transforms into a big, muscular, adult superhero who’s basically Superman with no vision powers. For seven decades and change, he went by Captain Marvel, but since Marvel Comics has at least three of their own characters with that name, DC recently laid down arms and just started calling him “Shazam,” since that’s the name everyone knows him by anyway.

So it’s a little weird that this kid-friendly superhero wish fulfillment movie is being handed off to a director best known for horror films, but I guess he’s got a decent eye. If Jordan Peele can jump from sketch comedy to horror and knock it out of the park, maybe Sandberg has more bullets in his gun than making light switches scarier than they need to be. And hey, given that Shazam’s rogues’ gallery is called “The Monster Society of Evil,” maybe a touch of horror background isn’t the worst. Like Monster Squad.

There’s no word yet about what villains we can expect, with Black Adam off the table, but there’s three strong candidates: for brain vs. brawn, there’s Shazam’s own Lex Luthor, Dr. Sivana. For the creep factor: Mr. Mind, a Venusian caterpillar with mind-control capabilities. But I’m placing my money on Ibac.

Ibac brings all of the “like the hero but evil” that origin movies have been using for their villains ever since Iron Man, but without the complexity of Black Adam. Like Shazam, his name’s an acronym of his abilities: the terror of Ivan the Terrible, the Cunning of Cesare Borgia, the fierceness of Atilla the Hun, and the cruelty of Caligula. That gives us more promising action set pieces than Sivana, and builds the acronym-based mythology up, readying us to meet Dwayne Johnson as the wizard’s less noble champion from the ancient mid-East, Teth-Adam.

How excited should we be?

Hard to say. There’s so little to go on here. But the one thing that most gives me hope for this movie is that all the details, from script to overall vision to company approach, are coming in the wake of the bright, hopeful, inspiring Wonder Woman, which means they’re moving in the right direction to tackle Billy Batson. And hey, there’s this rough concept art for the costume.

Wonder Woman 2

I mean, duh. This is a gimme. The most financially successful DC film since 2012, and most beloved since at least 2008. Of course they want to stay in the Wonder Woman business.

What do we know?

It’s said to be set in the 1980s, at the end of the Cold War. The first film’s director, Patty Jenkins, and the co-writer/DC mastermind Geoff Johns are working on the story right now. Gal Gadot will be back as Diana, and to the surprise of no one who witnessed their chemistry, they’re trying to bring back Chris Pine’s Steve Trevor. Wonder Woman 2, or whatever they call it, will arrive in December of 2019: 30 months after the last movie, one year after Aquaman, and way too damn long from now.

What confuses people is that they still haven’t officially confirmed that Jenkins will be directing. I mean come on. Whatever she’s asking must be worth it.

What can we expect?

Wonder Woman was a triumph for Warner Bros., so I have to assume they’ll try to keep the same inspirational tone that made it a hit. For villains? I don’t know. Diana hasn’t fought a lot of Russians. I, personally, would love to see devious corporate tycoon Veronica Cale turn up, but for reasons I don’t have time to go into. In short, she and Dr. Sivana could open the door for the sovereign nation of mad scientists I used to enjoy in the comics. Or they could have Diana fight personified misogyny in the form of woman-hating telepath Dr. Psycho. Yes, that’s his name. Not odder than Dr. Poison.

Should we be excited?

If they sign Jenkins, yes, absolutely. If they somehow don’t… less so. Because what we really want is “more of that,” and replacing their best director since Nolan would not be the right first step.

And now things get more vague.

The Batman

The 2014 movie slate didn’t include any Batman solo movie, but come on. It was always coming.

What do we know?

We know that director Matt Reeves (the man behind the excellent Dawn of and War For the Planet of the Apes) has taken over from departing director Ben Affleck, and has also started over from scratch on the script. It would be easy to see this as a slam against Affleck and Geoff Johns, who had been writing The Batman up until that point, but it seems to just be how Reeves works as a director.

Reeves approached The Batman the same way he approached the Apes franchise. He went to the studio and said “This is the movie I want to make. This is what an Apes movie I’d want to direct would be,” and then held to his guns against any studio notes pointing in another direction. So it makes sense that he’s starting over on the script. He didn’t sign on to direct Affleck’s Batman idea, he wants to make his Batman idea.

We also know that rumours aside, Ben Affleck will absolutely be playing Bruce Wayne. Affleck has said that he’d be a background chimp in an Apes movie if Reeves asked him to. But Joe Manganiello might be out as Deathstroke. And if that’s why Deathstroke’s back on Arrow, I’m fine with that.

What can we expect?

Reeves promises a noir-esque Batman movie, with more focus on Batman the detective. Which I’m good with. It’s a new take. Big-screen Batman’s just been about the villain punching since 1989. His best big-screen detective work should not be Adam West figuring out that when the solution to the Riddler’s riddle is “an egg,” he means they’re attacking the UN. Other than that? No idea. It’s early days. Whatever story or characters Reeves is considering, he isn’t sharing.

Should we be excited?

I would say yes. Affleck does a good Batman, and Matt Reeves makes good movies. I think we have a good shot of being more Nolan than Schumacher here.

Justice League Dark

No, this would not be the new title of Justice League Part 2, which is absent from WB’s plans. Perhaps they’re waiting until the first one comes out and reassessing, or maybe they don’t want to discuss it openly while the issue of “So is Zack Snyder being replaced, and by whom?” is dealt with.

Justice League Dark is a now-ended title in which the magic-based heroes of the DC Universe unite to tackle magical problems that the Justice League can’t handle. The cast rotated frequently, but typically revolved around wizard con artist John Constantine, sorceress Zatanna, and acrobatic ghost Deadman. Their book might not be running, but they did just get an animated movie on Blu-ray with Matt Ryan reprising Constantine.

What do we know?

That the original treatment for this movie was written by Guillermo del Toro, and every report about the ongoing development has said they’re sticking to it. Probably because they want to keep del Toro’s name on the project as long as they possibly can, because that gives it value. Sadly, the director of Hellboy making a magic-themed DC movie was a dream too beautiful to live.

Other than that, very little. Honestly I’m surprised this got announced as being in the next wave and not Black Adam, all things considered.

What can we expect?

Ideally? A magical Guardians of the Galaxy. A group of misfits who are thrown together to save the world from something no one else can handle. Worst case scenario is Suicide Squad with more spells and less boomerangs. I would prefer the first thing.

Should we be excited?

…I don’t know. I’d like to say yes, but other than the well-done animated movie, I don’t have much to go on. Maybe if they nail down a director, and said director says “We’re going to show the world why Zatanna belongs on the A-list,” I’ll have a better idea.

Batgirl

This right here might be the money movie.

What do we know?

That it’s written and directed by Joss Whedon. What we don’t know is whether signing on to make this movie is what led to Whedon being asked to work on Justice League, or if making a Batgirl movie was part of Whedon’s asking price to write and ultimately direct additional Justice League scenes. Doesn’t matter, it’s happening. Barbara Gordon, Gotham’s premiere lady crime fighter, is coming to the screen in a non-Lego context.

There is neither a name nor a short list attached to the lead role, but if Joss is anything approaching clever, he’ll get JK Simmons to keep playing Batgirl’s father, Commissioner Gordon. I don’t need Batman to show up. I wouldn’t complain, but I don’t need it.

Release date hasn’t been set, but Whedon is expected to start work on it in early 2018, once he’s rested up from reshooting Justice League.

What can we expect?

If he’s focusing on The Killing Joke and Barbara’s recovery from being paralyzed, expect a lot of complaints about a male writer tackling a sexual assault survivor’s story. With luck, he either skips that or only briefly touches on it. With extra luck, maybe he incorporates some of the more recent Batgirl stories, as the defender of Burnside, Gotham’s Brooklyn. Barbara juggles school, work, and fighting upscale crime alongside DC’s most diverse supporting cast. And it’s more targeted to women than men, which would be great for a studio trying to keep the interest of all the women inspired by Wonder Woman.

Keeping Batgirl in Burnside might also help with the fact that I don’t anticipate a lot of overlap between this and The Batman. Reeves and Whedon will probably do their own things. If they want to prove me wrong, and sync their films up, hooray, but Reeves has been clear about sticking to his vision, and after Age of Ultron Whedon is probably wary of having to jam a bunch of awkward franchise-building scenes into his movie.

Should we be excited?

Yes. Yes we should. Though maybe play it cool until filming starts, so the gods don’t try to take it from us like they did Guillermo del Toro’s Justice League Dark.

Flashpoint

And here we hit the controversy.

What do we know?

That the Flash movie is still happening, and is now called Flashpoint. And that one fact has raised a lot of eyebrows and a few alarms.

What can we expect?

The thing about Flashpoint is that it’s less famous for what it was, and more for what it did. Flashpoint was about Barry waking up in a world where his mother wasn’t killed when he was young, but the ripples of this change have made a dark and terrible world, one with no Flash or Superman, one where Thomas Wayne became a more brutal Batman when his son was killed (and Martha went crazy and became the Joker), one on the brink of destruction as Atlantis and Themyscira are fighting a devastating war. Wonder Woman conquered England, Aquaman flooded western Europe, and things are only getting worse.

But what Flashpoint is famous for is DC using it to reboot nearly their entire product line into the New 52, with fresh starts for basically everyone but Batman and Green Lantern. So like Captain America: Civil War, naming it Flashpoint kind of points in a direction.

Some question whether Warner Bros. will use this movie to similarly reboot their film universe. Others, like me, realize that’s probably not the best idea. Whatever you think about the DCEU this far, rebooting it once they finally find their stride is going to look ridiculous. And if Jason Momoa’s Aquaman and Ezra Miller’s Flash break out the way Gal Gadot’s Wonder Woman did last year, they’re not going to want to change much. By the time we reach Flashpoint, either their product will be better and won’t need rebooting, or things will have gone wrong and a reboot isn’t going to save them.

Others have asked whether Flashpoint would be used to replace Ben Affleck or Jared Leto, as rumours had claimed Warner Bros. was interested in doing. They must have written all of those articles or videos in the narrow window between Flashpoint being announced and Ben Affleck soundly denying the rumours he was leaving. But hey, you went ahead and posted them anyway, because what’s a little debunking between friends.

Now… there is potential here. There must be, since there’s already an animated movie based on this story, and the third season premiere of The Flash TV show is named after it. Seeing Gal Gadot and Jason Momoa go to war as twisted versions of Wonder Woman and Aquaman could be fun, albeit everything the DCEU is trying to move away from. Jeffrey Dean Morgan as the Thomas Wayne Batman? That I’d pay to see. But there is that one little nagging problem… if this is your first Flash movie, you don’t have an established Reverse-Flash to be the main villain. The one Barry assumes is responsible for all of this. And I’m not positive there’s a great workaround.

Of course they could be doing the Marvel thing and using the name without using much at all of the story. But if that’s true, man, you could have picked a less notorious name.

Should we be excited?

…Too soon to tell on that one, but so far I’m more concerned. It doesn’t help that instead of finding a Matt Reeves with a Flash story they really want to do, you need to find people willing to make that specific Flash story.

Suicide Squad 2

Time for something simpler.

What do we know?

That Suicide Squad made enough money that they want to make another one. Jaume Collet-Serra, another horror director, is rumoured to be close to signing on, and Joel Kinnaman (Rick Flagg) once expected to film in 2018, but any of that could prove wrong at any moment.

What can we expect?

That Warner Bros. will do their best to keep Will Smith and Margot Robbie involved, because they were seen as the highlights, and Warner Bros. wants very badly to stay in the Harley Quinn business.

Should we be excited?

Finding a less accomplished, easier to control director isn’t a great first step, seeing as Suicide Squad’s problems had “studio interference” written all over them.

Green Lantern Corps

And to wrap up, the last of the 2014 slate still on the table, with Justice League Part 2 and Cyborg absent from the announcement.

What do we know?

That they’re aiming for a cosmic-themed buddy cop movie, with a veteran Hal Jordan training a rookie John Stewart. Who’s going to write, direct, or act in it is up in the air.

What should we expect?

Getting pieces in play for all of the other Lantern Corps would be my guess. The Emotional Spectrum, and the associated ring slingers, are one of the biggest parts of Lantern lore to be added in decades, so I think it’s safe to say we’d see some set up for Sinestro, Larfleeze, the Star Sapphires, ect.

No I’m not explaining who they are. You’re on the internet. Google them if you’re that curious.

We’re at 3300 words? Wow. I do ramble on about this stuff. Okay… um… bye, then.

Author: danny_g

Danny G, your humble host and blogger, has been working in community theatre since 1996, travelling the globe on and off since 1980, and caring more about nerd stuff than he should since before he can remember. And now he shares all of that with you.

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