Three graphic novels that SHOULDN’T be movies

So last time I talked about some comics/graphic novels that I really, really want to see as movies. Like, if they film Atomic Robo: The Savage Sword of Doctor Dinosaur? I will be at that theatre every day. Cinematic obsession unseen since my “Who hasn’t seen Inception yet” days. This time, we’re gonna look at comic stories that I don’t– well it’s all there in the title.

But this is not a hate blog. I’m not going to just rant about hating World War Hulk. Nobody wants that. Probably. Doesn’t sound like fun. No, I’m going to try the trickier path. See, I love comics, I love movies, and the overlap of that there Venn diagram is a big part of my DVD/Blu-ray collection (larger than James Bond, about par with “shows canceled too soon by Fox”). But it doesn’t always work. And I’m not talking about the ones that are just done really, really badly, your Steels and your Batman and Robins and anything, anything featuring the Fantastic Four. Batman and Robin may be irredeemably bad, but it doesn’t mean that movies starring Batman can’t work. We know that they can. No, I’m talking about when the source material just doesn’t work as a two-hour motion picture.

Examples: I haven’t actually seen The League of Extraordinary Gentlemen, because in 2003 I didn’t hate myself enough, but if I had to guess what went wrong, said guess would begin when “lack of understanding of the source material” locked eyes with “comic book movies need to be action packed thrill rides” across a crowded room, and, well, that’s how car chases through the non-existent streets of Venice are born (it is alleys and canals, people, no one is driving cars anywhere). There is a way to adapt League of Extraordinary Gentlemen well, but it’s been done and it’s called Penny Dreadful. Watchmen did a decent job of adapting the story beats and visuals of the graphic novel to the screen, but not any of the deconstruction of the genre and the actual medium that made Watchmen a classic. V For Vendetta did its best, but there is just no way to fit the entire complicated game of dominoes that is V’s revenge plan into two hours, so they lobotomized it more than I was happy with.

He didn’t just want to kill the Leader, he wanted to reduce the entire system the Leader created to rubble, and– no, no, not why I’m here.

So here’s some stories that I love, but which should not be live action movies.

1. Hack/Slash

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Cassie Hack was a shy, unpopular, dorky girl until her mother, the lunch lady, started killing her bullies, committed suicide after Cassie turned her in, and then came back from the dead and started killing kids again, forcing Cassie to re-kill her. From there, Cassie went on the road, hunting and killing as many “slashers” (undead horror movie murder machines) as she could. While hunting a rumoured slasher known as the Chicago Meat Man, she met Vlad, a disfigured, massively strong, but kind and caring man who became her closest friend and ally. The comic, created, written, and occasionally drawn by Tim Seeley gained enough street cred as a concept that they scored several crossovers with actual horror movie villains Chucky (Child’s Play), Victor Crowley (Hatchet), and Herbert West (Reanimator), the last of which hit some publishing difficulties but found a neat way to tie West into the slasher mythology. Cassie also became an official Suicide Girl, in a cross-promotion featuring a one-shot where Cassie joined the Suicide Girls to hunt a killer living on the ‘net, and an SG “pictorial” of Cassie drawn by Tim Seeley.

Why not a movie?

See, before my last blog went over 2000 words talking about three things, I was thinking about including it as a comic that should be a movie, but… feels like it might turn out a little basic, you know? Unless you start with the Lunch Lady (and please, god, don’t make an entire Hack/Slash movie about Cassie’s teen years, we want the ass-kicking goth girl), it’s one act of setting up the concept, one act of setting up the latest slasher, and a climax. It’s not… big enough for what comic book movies need to be these days, and I’d hate to see it get steamrolled by the Marvel Machine.

So what could it be?

Years back Hack/Slash was moving towards a movie, something they were confident enough about to plaster “In development for a major motion picture” on the cover of the comic issues for a spell, but it never materialized. The new rumour is one I like better… a possible TV show.

Hack/Slash is a series one-off arcs featuring various monsters, in which a larger plot begins to loom involving the origins of the slashers and the coming monster apocalypse led by the slasher messiah, Samhain. So, cases of the week with a larger, serialized narrative running underneath. Not only is that my jam, apparently, but it’s the model for nearly every cable drama out there, and some network shows as well.

Some great ones.
Some great ones.

Now, a network might not be the answer, nor the basic cable world, because Hack/Slash embraced the violence, gore, and sex of the horror genre as much as the comic book industry would allow. Like most of American society, comic books are fine with violence, love sex, but are terrified of nudity. I’m certainly not saying Hack/Slash needs to be a gore ‘n’ boob fest like Game of Thrones… Winona Earp did okay saying “We’re adapting the character, but she gets to wear a full shirt and pants.” Cassie Hack can still be Cassie Hack if they give her more to wear than a miniskirt and a mesh top. But they should not be on any network that is going to blanch at the tropes that the horror genre is built on.

In short, it doesn’t need to be Game of Thrones, but it should be somewhere between Supernatural and Penny Dreadful. So we’re looking at Showtime or HBO’s slutty kid brother, Starz.

Now if only I had that sort of control over network decisions. Because I’d love to see this show, but I’ve been hurt before when pilots didn’t get picked up.

2. Barry Ween: Boy Genius

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Barry Ween, age ten, is the smartest human being to have ever lived. He began experimenting and inventing as soon as his body developed the motor skills necessary to wield a soldering iron. Currently, he and his best friend Jeremy get in adventures involving aliens, secret government agencies, sasquatches, transdimensional telepathic apes… but mostly the consequences of Barry’s experiments.

I. Love. Barry Ween. It’s hilarious, it’s got a surprising amount of heart, and Barry’s foul-mouthed boy genius (though it’s earned… when you’ve accidentally knocked the Earth off its axis, a “Fuck. Hope you brought a jacket,” is the right response) is a character like no other.

But please never make a live action movie out of it.

Why not a movie?

Because the second you cast an actual ten-year-old as Barry you’re either making something kid friendly like Spy Kids or shooting for shock value like Bad Santa. And I don’t dislike either of those movies… I actually quite liked Bad Santa back in the day… but neither of them is Barry Ween. Barry swears and, when necessary, kills more than a kids’ flick would allow, but not enough to be called shock comedy. Plus, I don’t want to watch Barry hit puberty in the sequel. Creator/writer/artist Judd Winnick kept Barry and Jeremy at age ten for all three miniseries and it worked just fine.

So what could it be?

You know what I don’t get about this live-action Lion King movie they’re working on? Other than why it exists given that the original is readily available and the stage version tours constantly? Why they’re calling it “live action.” What percentage of that movie isn’t going to be CG? Is it… none? None percent? No, I suspect that they’re calling it “live action” because there’s a perception that live action is better and more bankable than animation, despite the fact that Pixar and Dreamworks exist.

An animated Barry Ween? Now that would be fun. And it wouldn’t cost millions of dollars to turn Jeremy into a dinosaur with an afro (yes, that happened). There isn’t a big market for R-rated animation, something Sausage Party didn’t do a lot to help… but without the budget that live-action blockbusters require… how much does Pixar spend, let’s see… Finding Dory cost $200 million? Jesus Christ.

Okay, so, probably not going to spend that much to make Sausage Party money. But you know where more R-rated animation is thriving? At the risk of repeating myself, television. Archer, BoJack Horseman, Rick and Morty, F is For Family… sure, some of these are still more PG-13 (Archer will show butts and say “shit” but that’s where they draw the line; BoJack Horseman wisely avoids any sort of nudity and limits itself to one “fuck” per season, always from a friend he’s betrayed), save for F is For Family and Rick and Morty’s uncensored DVD, but it’s a better fit. Especially given that Barry’s adventures tend to be single-issue stories, and the one big multi-part would work better as a season premiere/finale kind of deal, rather than one single film.

Also I’m now a little bit enamored with the idea of a Barry Ween/Rick and Morty crossover. Rick and Barry are both irritable geniuses who invent and experiment more to keep busy than for any grand purpose, they each have a clueless kid sidekick who sometimes drags them down a nobler path which sometimes causes bigger problems, and alcoholic, misanthropic, possible galactic super-villain Rick Sanchez might be everything Barry’s afraid of turning into… or worse, might be his best-case scenario.

3. Transmetropolitan

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This might seem like cheating. I’ve already talked about a TV show based on Warren Ellis’ excellent graphic novel Transmetropolitan. But I’m going a different way this time because I already suggested two TV shows. I mean, I was going to say Barry Ween should be an animated movie, but talked myself out of it…

Quick summary for those who don’t recall/weren’t with us… in the slightly distant future, Transmetropolitan is about journalist Spider Jerusalem, who is dragged out of seclusion in the mountains due to obligations to his book publisher, and ends up devoting one of his books to the impending presidential election between incumbent the Beast, whose election drove Spider into the mountains in the first place, and the Smiler, who seems a more benevolent leader but whose smile hides a dark side.

Why not a movie?

There’s no way to condense the weaving, trippy, future sci-fi/political into two hours. There is not. Not even six hours if you did a trilogy, and you shouldn’t plan it as a trilogy because your first movie needs to be self-contained, god damn it. Don’t spend a chunk of your movie setting up a sequel you might not get. Looking at you, Independence Day: Resurgence. Twenty years since the last movie and you don’t tell a complete story? Fuck you and everyone who greenlit you.

Sorry, got distracted there.

So no, there is too much story for a movie. Which is why I was pitching it as a series back when. But…

So what could it be?

Transmetropolitan would be an expensive film or TV project for anyone, given that it takes place in a future that is both scarily familiar and entirely alien. Alien enough that there’s an issue devoted to how people who are woken up from cryogenic suspension can’t adapt and end up homeless. So as fond as I once was of the idea of Transmet for television, it would require so much green screening that it would make Attack of the Clones look like Mission: Impossible.

Because it’s… Mission: Impossible uses mostly practical effects, and… look it made sense to me.

A major part of Transmet is Spider Jerusalem’s prose. Storylines are narrated by excerpts from Spider’s articles. They put out at least one special issue that was a compilation of Spider’s articles. So there is one growing medium where it would fit right in… podcasts.

Yeah, okay, you got me, podcasts do kind of seem like what celebrities do when nothing else is working out for them, but narrative podcasts can be a lot of fun. Look at the growing network of Nightvale Presents… not just Welcome to Nightvale, with its biweekly tales of bizarre horror besetting a small desert town, but also Alice Isn’t Dead (performed by Fringe’s Jasika Nicole), and Within the Wires. Get the right voice as Spider, maybe bring in the odd guest star like Welcome to Nightvale does, and you’ve got a great

Tell the Transmet story through Spider’s articles. Or a mixture of articles and journal entries. Get the right voice as Spider maybe something in a Dean Winters or Will Arnett, maybe bring in the odd guest star like Welcome to Nightvale does, and you’ve got a great listen. Sure, it won’t last indefinitely, but nothing does.

Wow. Way to end on a down note. Let’s not do that next time…

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